Very Last CD... 'Cover Up' Album Details --APRIL 2008:

MINISTRY has set “Cover Up” as the title of its upcoming CD of covers — some new, some old.

The disc will feature numerous guests, including

STATIC-X’s Wayne Static (singing “I Want You [She’s So Heavy]” by [url “http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=78957#”]THE BEATLES);
CHEAP TRICK’s Robin Zander (singing GOLDEN EARRING’s “Radar Love”);
[url “http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=78957#”]FEAR FACTORY’s Burton Bell ([url “http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=78957#”]ROLLING STONES’ “Under My Thumb”);
MINISTRY/PRONG guitarist Tommy Victor and MOUNTAIN guitarist Leslie West (MOUNTAIN’s “Mississippi Queen”)
Plus:
Space Trucking by DEEP PURPLE
Black Betty by RAM JAM

“Cover Up” will also include previously released covers of [url “http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=78957#”]BLACK SABBATH’s “Supernaut”, [url “http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=78957#”]BOB DYLAN’s “Lay Lady Lay”, THE DOORS’ “Roadhouse Blues” (which is on MINISTRY’s upcoming all-new studio CD, “The Last Sucker”) and MAGAZINE’s “The Light That Pours Out of Me”.

MINISTRY will support “The Last Sucker” with one final worldwide tour with a lineup including mainman Al Jourgensen, bassist Paul Raven (KILLING JOKE, PRONG) , Victor, guitarist Sin Quirin (REVOLTING COCKS), [url “http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=78957#”]drummer Jimmy DeGrasso (ex-MEGADETH) and keyboardist John Bechdel. But while Jourgensen is looking forward to the tour, he also looks forward to putting the lid on the MINISTRY coffin.

“Man, I’m so looking forward to not being the front guy on a brand name.” “When I was growing up, I loved LED ZEPPELIN, and I always wanted to be Jimmy Page. But I ended up being Robert Plant by default. I was the singer and the frontman when I always wanted to be — like in ‘Wizard of Oz’, the guy behind the curtain. I get so much more done when I’m on the sidelines, and it’s more suited to my personality. I’m a studio rat. I always will be. And now I’ll be able to do, like, six projects a year, so it’s actually much better. You’ll actually get more sick of Al Jourgensen faster than if I was to keep doing Ministry. So I view this as my second career, not a retirement.”

So it Looks like Paul on bass…that works for me. And being sick of AL…I have no problem with that. [tongue]

Here’s the interview by MTV:

“Obviously, my muse for the past six years has been George W.,” Ministry frontman Al Jourgensen admitted recently, “and he’s going to be riding off into the sunset soon, so I figured I’d just go out with him.”
That’s right — Ministry’s September 18 disc, The Last Sucker, will indeed be their studio-album swan song.
“Everyone seems to think I make sh–ty records when there are Democrats in office,” he laughed. “Since I’m really on the top of my game right now, it would be nice to end on a high note instead of keep releasing sh–ty albums well into my 60s,” he added.
Of course, Jourgensen isn’t about to fade away without blasting a final cache of industrial-metal ammunition at the White House. The Last Sucker is venomous and brutal, filled with caustic riffs, political sound bites and ranting, distorted vocals. The new LP incorporates elements of Ministry’s finest albums, including the mechanized precision of 1988’s The Land of Rape and Honey; the blowtorch fury of 1992’s Psalm 69: The Way to Succeed & the Way to Suck Eggs; the hazy, lumbering fear and rage of 1996’s Filth Pig; and the shovel-to-the-skull thrash and anti-Bush bile presented on 2004’s Houses of the Molé and 2006’s Rio Grande Blood. However, while Jourgensen admits The Last Sucker provides a comprehensive closing chapter to the story of the band he formed in Chicago in 1981, he insists he wasn’t making a conscious effort to write the equivalent of an on-the-deathbed flashback.
“Me, [Prong guitarist] Tommy Victor and [Prong/ Killing Joke bassist Paul] Raven just went in and jammed, and the only idea that we had going in was that we didn’t have any ideas,” Jourgensen said. “This is definitely a fitting end to it all, but that’s just the way it came out. There’s a couple songs left on a shelf somewhere in case I die in a plane crash and they want to release outtakes, but for the most part, we picked out the ones that made the record flow in a way that, as it turned out, encapsulated the Ministry sound.”
Jourgensen and his cohorts started writing The Last Sucker in February and finished tracking the album in June. In part, the rapid pace of production was necessary for Jourgensen to adhere to his tight schedule. As soon as he finished the album, he started putting songs together for an upcoming disc of Ministry covers — some new, some old — called Cover Up. The disc will feature numerous guests, including Static-X’s Wayne Static (singing “I Want You [She’s So Heavy]” by the Beatles); Cheap Trick’s Robin Zander (singing Golden Earring’s “Radar Love”); Fear Factory’s Burton Bell (Rolling Stones’ “Under My Thumb”); and Victor and Mountain guitarist Leslie West (Mountain’s “Mississippi Queen”). Cover Up will also include previously released covers of Black Sabbath’s “Supernaut,” Bob Dylan’s “Lay Lady Lay,” the Doors’ “Roadhouse Blues” (which is on The Last Sucker) and Magazine’s “The Light That Pours Out of Me.”
As if that’s not enough, Jourgensen is currently producing and playing on the debut album by Ascension of the Watchers, Bell and Fear Factory keyboardist John Bechdel’s new band. And Al is also getting ready to start working on the final Revolting Cocks record, which is due next year.
“In the '90s, I was releasing a new record every three years,” Jourgensen said. “Now we do records in three to six months at most and just work our asses off. The old Ministry records took a long time partially because of drug-induced lethargy, but also because I was still learning my craft and experimenting with a lot of things. A lot of it wouldn’t work and I’d scrap it and end up wasting, like, three weeks of time on a single thing. But now we’re a bunch of old grumps and we know what we want, we know what we sound like, and we’re pretty comfortable in our skins. So we can have a good time and still knock out a record really quickly that everyone’s 100 percent happy with.”
Ministry will support The Last Sucker with one final worldwide tour with a lineup including Jourgensen, Raven, Victor, guitarist Sin Quirin (Revolting Cocks), drummer Jimmy DeGrasso (ex-Megadeth) and keyboardist Bechdel. But while Jourgensen is looking forward to the tour, he also looks forward to putting the lid on the Ministry coffin.
“Man, I’m so looking forward to not being the front guy on a brand name,” he said. “When I was growing up, I loved Led Zeppelin, and I always wanted to be Jimmy Page. But I ended up being Robert Plant by default. I was the singer and the frontman when I always wanted to be — like in ‘Wizard of Oz,’ the guy behind the curtain. I get so much more done when I’m on the sidelines, and it’s more suited to my personality. I’m a studio rat. I always will be. And now I’ll be able to do, like, six projects a year, so it’s actually much better. You’ll actually get more sick of Al Jourgensen faster than if I was to keep doing Ministry. So I view this as my second career, not a retirement.”

New & last Cocks cd next year…good! I hope he will tour in support of it. Since the Ministry set will be over 2 hours (accroding to Mrsjay), I don’t think it will be both bands performing at the last tour.

"When I was growing up, I loved LED ZEPPELIN, and I always wanted to be Jimmy Page. But I ended up being Robert Plant by default.

I’m always amazed when I read some of Al’s quotes. I had no idea at all he was an LZ fan. In fact, during the WS Tour, it wasn’t uncommon for Stevo, Brad & I to play ‘Dancing Days’ during soundcheck. Al always seemed like he hated it. Maybe he did at the time, who knows?

BTW, Stevo could play spot on like Bonzo . It was remarkable.

Tastes change. It’s possible he dug Zep when he was a kid, thought he was too hip for it at the time you knew him, and rediscovered it in his middle age. That kind of thing happens to me sometimes and I’m 17 years younger than him.

As for the new album, I’d prefer he leave off all the older tracks and release it as an e.p. by a side project, since there’s all these different singers. But whatever.

Good to see Raven’s in the touring lineup.

[reply]"When I was growing up, I loved LED ZEPPELIN, and I always wanted to be Jimmy Page. But I ended up being Robert Plant by default.

I’m always amazed when I read some of Al’s quotes. I had no idea at all he was an LZ fan. In fact, during the WS Tour, it wasn’t uncommon for Stevo, Brad & I to play ‘Dancing Days’ during soundcheck. Al always seemed like he hated it. Maybe he did at the time, who knows?
[/reply]

An extract from an interview I did with Paul Barker the 17th June 2003:

In the 89-90periode, after the release of ‘Land Of Rape And Honey’ and ‘The Mind Is A Terrible Thing To Taste’, this new sound we discovered was very exiting and songs like ‘Stigmata’, ‘Thieves’ or ‘Burning Inside’ provoked a real frenzy, even in the metal community. Al and you, were you aware of the massive musical impact you had at this time? And what do you think of these times now?
We just try to challenge ourselves constantly and at that time when 'The Mind ’ came out we had heard that some metal bands were fans of our music. Which was so weird to us because we are not metal fans. We are punk-rock and post-punk fans. And hard-rock fans. Not metal per say, because from 78 to 82 we were into post-punk, much more eclectic music than just straight metal. We never listened to Maiden or Priest. That was just not our kind of music. There’s nothing wrong with that music but we were not there at all. So, we came from the backdoor, that’s what we say. All of a sudden we realized, on the ‘Mind’ record, that some of our music was heavier than heavy metal. And that’s because we are not held captive by the heavy metal formula. We realized that our music could be as heavy or heavier, but not the same shit. So it was really a shock and a pleasant surprise that these metal bands were interested in the music that we played. That was really a great compliment to us. But as I said we were into something else. Al and I we were just in the studio, we were listening to Neubauten, SPK, Test Department, Laibach, shit like that. That’s what influenced us, not metal. Although Al is an excellent guitar player and he grew up playing hard-rock, Led Zeppelin, Montrose, stuff like this. So he had all these riffs.”

If you’ll listen to the live cut of Public Image (presumably circa 89-91), you’ll notice Uncle Buck is farting around with the guitar and playing some Aerosmith and Led Zeppelin riffs… Including a nice rendition of the beginning to Zep’s Over the Hills and Faraway.

Cover Up just sounds like a bad idea all around.

If it was 9 or 10 songs of new covers, I’d be more interested. But including tracks that have already been on studio albums really turns me off. It makes it come off as rather half hearted, which it is, if only half the material is “new”.

It shouldn’t really even be released under the Ministry moniker, but probably has to be since half of the tracks are coming off of Ministry albums.

It would come off better if it was simply an EP, much like Sepultura’s Revolusongs, or if he simply included them on the final Revco album.

I also liked the idea of making TLS a double album. With Ministry not touring until the Spring of 2008, pushing the release date back to make it a double album would have made more sense, since Al is obviously still working on the cover songs and other projects at the moment.

As far as the remix albums, bring them on. I see nothing at all bad about that. If the songs are not an improvement on the originals, who cares. It doesn’t pretend to be anything but an off shoot of the original album.

MINISTRY has set “Cover Up” as the title of its upcoming CD of covers — some new, some old.

The disc will feature numerous guests, including

STATIC-X’s Wayne Static (singing “I Want You [She’s So Heavy]” by [url “http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=78957#”]THE BEATLES);
CHEAP TRICK’s Robin Zander (singing GOLDEN EARRING’s “Radar Love”);
[url “http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=78957#”]FEAR FACTORY’s Burton Bell ([url “http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=78957#”]ROLLING STONES’ “Under My Thumb”);
MINISTRY/PRONG guitarist Tommy Victor and MOUNTAIN guitarist Leslie West (MOUNTAIN’s “Mississippi Queen”)
Plus:
Space Trucking by DEEP PURPLE
Black Betty by RAM JAM

“Cover Up” will also include previously released covers of [url “http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=78957#”]BLACK SABBATH’s “Supernaut”, [url “http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=78957#”]BOB DYLAN’s “Lay Lady Lay”, THE DOORS’ “Roadhouse Blues” (which is on MINISTRY’s upcoming all-new studio CD, “The Last Sucker”) and MAGAZINE’s “The Light That Pours Out of Me”.

Man, this band is just shitting out any old release these days. Like someone else said they are milking the whole ‘end of Ministry’ thing as much as humanly possible.

And how is this even Ministry anymore? Space Truckin?!!?? Holy cow, next thing you know it’ll be renditions of popular German beer tavern music done in muzak fashion. Or how about an album dedicated to the genious of ELO??

Paul Barker, if you are listening, please redeem this somehow!!!

he and al haven’t spoken for years.

[reply]MINISTRY has set “Cover Up” as the title of its upcoming CD of covers — some new, some old.

The disc will feature numerous guests, including

STATIC-X’s Wayne Static (singing “I Want You [She’s So Heavy]” by [url “http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=78957#”]THE BEATLES);
CHEAP TRICK’s Robin Zander (singing GOLDEN EARRING’s “Radar Love”);
[url “http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=78957#”]FEAR FACTORY’s Burton Bell ([url “http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=78957#”]ROLLING STONES’ “Under My Thumb”);
MINISTRY/PRONG guitarist Tommy Victor and MOUNTAIN guitarist Leslie West (MOUNTAIN’s “Mississippi Queen”)
Plus:
Space Trucking by DEEP PURPLE
Black Betty by RAM JAM

“Cover Up” will also include previously released covers of [url “http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=78957#”]BLACK SABBATH’s “Supernaut”, [url “http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=78957#”]BOB DYLAN’s “Lay Lady Lay”, THE DOORS’ “Roadhouse Blues” (which is on MINISTRY’s upcoming all-new studio CD, “The Last Sucker”) and MAGAZINE’s “The Light That Pours Out of Me”.

Paul Barker, if you are listening, please redeem this somehow!!![/reply]

What exactly do you expect Skinny and his mind blowing two note bass lines to do about it?

Urge Al to release more garbage like “Useless” and “Stolen”?

that would’ve been alot better than same old metal songs about corrupt bush camp.

[reply][reply]MINISTRY has set “Cover Up” as the title of its upcoming CD of covers — some new, some old.

The disc will feature numerous guests, including

STATIC-X’s Wayne Static (singing “I Want You [She’s So Heavy]” by [url “http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=78957#”]THE BEATLES);
CHEAP TRICK’s Robin Zander (singing GOLDEN EARRING’s “Radar Love”);
[url “http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=78957#”]FEAR FACTORY’s Burton Bell ([url “http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=78957#”]ROLLING STONES’ “Under My Thumb”);
MINISTRY/PRONG guitarist Tommy Victor and MOUNTAIN guitarist Leslie West (MOUNTAIN’s “Mississippi Queen”)
Plus:
Space Trucking by DEEP PURPLE
Black Betty by RAM JAM

“Cover Up” will also include previously released covers of [url “http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=78957#”]BLACK SABBATH’s “Supernaut”, [url “http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=78957#”]BOB DYLAN’s “Lay Lady Lay”, THE DOORS’ “Roadhouse Blues” (which is on MINISTRY’s upcoming all-new studio CD, “The Last Sucker”) and MAGAZINE’s “The Light That Pours Out of Me”.

Paul Barker, if you are listening, please redeem this somehow!!![/reply]

What exactly do you expect Skinny and his mind blowing two note bass lines to do about it?

Urge Al to release more garbage like “Useless” and “Stolen”?[/reply]

have you heard the pink anvil record?
it’s like DSOTS but heavier, and less song like. it’s fucking amazing. that’s what i’d like to see from paul, sometime in the future. after this ussa tour, he should sit down and make some truly frightening music!

or no, i got it: paul on the next ogre record. that would be cool to see.

I’ve been searching for that alleged record for a while… no luck.
And pardon the naivete, but from what I gather, wempathy is a former member of Ministry from the early years.
How cool is that?

And pardon the naivete, but from what I gather, wempathy is a former member of Ministry from the early years.
How cool is that?
http://www.prongs.org/ministry/roberts

Yep, he’s a cool cat, very friendly.

Pink Anvil is nothing like “Dark Side of the Spoon”.

Pink Anvil is nothing like “Dark Side of the Spoon”.

no?

the extremely over driven bass, the crazy heavy guitar riffs, the fucked up saxophone? sounds like 10/10 in alot of places, imho. i can see where they’re not one and the same, but i get the same feeling from many of the tracks from both records. the heaviness that doesn’t come from the guitar being fast or double bass, but heaviness from the content, and the emotion the songs convey.

i would like you to listen to the track “Near Death” on the record “Halloween Party” and see if you hear the connection i’m hearing.

[url “http://www.prongs.org/ministry/roberts”]http://www.prongs.org/ministry/roberts

Yep, he’s a cool cat, very friendly.

Most excellent.

pink anvil is dark and all that but it’s different than stuff on spoon.

anvil is closer to experimental industrial.

Al Jourgensen’s band MINISTRY may be releasing their final studio album — “The Last Sucker” — on September 18 on 13th Planet/Megaforce Records, but that doesn’t mean Jourgensen is saying good-bye to the inside of a recording studio. As a matter of fact, Jourgensen plans to spend significantly more time in the studio doing what he loves best — collaborating. And collaboration is at the root of “Cover Up”, a soon-to-be-released album of some of Al’s personal favorite songs being recorded by MINISTRY & CO-CONSPIRATORS in his El Paso, TX compound, 13th Planet Studios. MINISTRY & CO-CONSPIRATORS“Cover Up” is expected to street in April 2008.

In addition to core MINISTRY members guitarist Sin Quirin (REVOLTING COCKS) and bassist Paul Raven (KILLING JOKE, PRONG, MOB RESEARCH), Jourgensen enlisted an impressive group of co-conspirators for “Cover Up”FEAR FACTORY frontman Burton C. Bell (also of ASCENSION OF THE WATCHERS) sings on THE ROLLING STONES“Under My Thumb”, Tony Campos (bass) and Wayne Static (vocals) from STATIC-X are on THE BEATLES“I Want You (She’s So Heavy)”, and PRONG’s Tommy Victor (vocals) and MOUNTAIN’s Leslie West (guitar) do justice to MOUNTAIN’s classic “Mississippi Queen”. “Cover Up” will also include MINISTRY’s cover of THE DOORS“Roadhouse Blues” (which can also be found on “The Last Sucker”), as well as RAM JAM’s “Black Betty”, DEEP PURPLE’s “Space Truckin’”, LOUIS ARMSTRONG’s “Wonderful World” and “Radar Love” by GOLDEN EARRING. Additional featured artists, including CHEAP TRICK’s Robin Zander (vocals) and Rick Nielsen (guitar), and tracks are in the works.

“It’s a work in progress,” states Jourgensen, "based on who’s on tour and comin’ through town. It keeps everything spontaneous. By now, everyone knows if they’re droppin’ by the studio, I’m gonna put them to work. I’ve got a few more surprises up my sleeve for this one.

“I’m just waiting on a few more return calls,” laughs Jourgensen, “Seems like lately if you visit the 13th Planet compound, you’ll end up on ‘Cover Up’ or I’ll end up signing you to my label — or both,” sites Jourgensen in reference to 13th Planet Records recent signing of Victor’s PRONG and Bell’s ASCENSION OF THE WATCHERS).

does this mean cover up wont be a ministry release but a “ministry and co-conspirators” release? semantics, i know, but a lot of people over here seem to really care about this thing so im curious.