I just ordered a copy directly from the Cleopatra Records website. It’s currently listing around $159. but with tax and shipping it’s about $185 “all in”. Looking forward to checking it out. Thanks realmdemagic for the initial review!
He’s Angry is totally fucked, and Where You At Now is a mislabeled version of Nature of Love. Other than that, they’ve done a great job. I love the Chicago 1982 record. Hadn’t heard that bootleg before, and it’s excellent!
I’ve listened to all the discs (except for BSQ) and there are no other errors.
He’s Angry is the only track that has issues. There are two versions of The Cruelty Mix and if I remember correctly “A” doesn’t have the spoken word sample at the beginning, while “B” does.
On Twelve Inch Singles they used “B” twice, and on this set, they called “A” Where Are You At Now. Why are they only having issues with this one song?
I have no idea if they were planning on using a version of Where You At Now.
If anyone hasn’t already, I can contact them and see if they are issuing a replacement for disc one.
Everything else is an A+ job well done and a dream come true, at least for me.
Just picked up a copy on behalf of Slack who I’m now publicly shaking into telling me where and when he wants to pick it up.
yo. dude. had communication issues with you today. wasn’t aware you buying one copy meant you were getting it for me. i’ll message you, i’m going to bed now - ping you tomorrow.
self-annoyed sounds like a steadier destruction… you can hear al’s ‘yelled’ vocals in its nascent stages. they made the right call ditching it, though, but it could have easily worked as a PTP song.
I’d like to know more about “Self Annoyed” - and was this re-worked for the box set? The female ‘soul’ singer(s) in the background remind me of the singers he decided to use on Lessons Unlearned, and those tracks sound pretty clean. Al’s vocals also sound very clean (both vocal tracks). Maybe it’s just a well-preserved outtake?
self-annoyed sounds like a steadier destruction… you can hear al’s ‘yelled’ vocals in its nascent stages. they made the right call ditching it, though, but it could have easily worked as a PTP song.
Agree completely. I feel also, the female backing vox are not quite totally in synch and the track is a bit too repetitive for its own good. Still so cool to hear something like this unearthed.
Fish in Cold Water sounds less amazing than I’d hoped. RevCo really opted for the right sound to run with on BSL. It’s so interesting to see the other sort of sounds they were playing with, like the Pailhead track with Chris on vocals from his old “best of”, it gives a peek behind the curtain.
Let’s Be Happy is, however, freaking awesome and could have been a Ministry synth pop classic with tightening up production (especially on the chorus). Another good stand along with “I’m Falling” and “Cold Life”