Merzbient?

Oh this is just getting ridiculous:

[image]http://www.soleilmoon.com/images/CoverArt/11353.jpg[/image]

“Merzbient” is a twelve CD collection of Merzbow’s previously unreleased ambient recordings. The music was recorded in the late ‘80s and early ‘90s, at a time when Masamik Akita (Merzbow) was becoming famous for his live performances, which featured some of the harshest sounds ever heard.

The records he released mirrored these peformances, and helped establish his reputation as the prime mover in the Japanese noise scene. The electronics he used for his recordings were the same ones he used for live shows. Out of necessity he toured with gear that was small, simple and portable. But all the while he was secretly recording quieter, more atmospheric music, and using a wide variety of acoustic instruments including an impractical monstrosity he describes as a “big handmade junk instrument made from a metal box with piano wires”, which he played with a violin bow. He made hours and hours of recordings, but kept them private and never released them, until they were eventually set aside and forgotten.

He recently rediscovered the multi-track mastertapes in a box and remastered them for release on CD. And what a discovery they are! These twelve discs represent a side of Merzbow never before heard. The music bears many of the signature styles expected from Merzbow – think of the theme of long-form drones pierced by random bursts of sound, for example – but it’s enticingly different from what we’ve heard before, with spacious sounds evoking prehistoric misty landscapes, desolate abandoned industrial sites, and sci-fi/horror film soundtracks.

If the familiar and traditional Merzbow is like a jet plane taking off at full-throttle then “Merzbient” is the hanger where the plane was built. Not a violent assault on the ears, but something more interior, more personal, and more gentle.

The twelve CDs in this collection are presented in a custom-made hard-cover box with red foil block printing. Each disc is packed in its own slipcase. When the slipcases are arranged togther in a rectangle a large image is revealed. A large and heavy (5 x 11cm, 84 gm) die-cast metal medallion with the Kanji characters representing “Animal Liberation” completes the set, which is limited to 555 numbered copies. “Merzbient” is Merzbow’s third release for Soleilmoon, following “Ouroboros” (May 2010) and “Eucalypse” (July 2008). Masami Akita, recording under the name Merzbow, with more than 200 albums to his credit, is considered one of the preeminent artists in the field of noise music.

Available for pre order now, out October 11th.

How the hell does he expect us to keep up with all this?? Although, honestly I’ll probably buy it.

I think I’d rather hear that than that staggering Merzbox. Sorry, I don’t get the appeal of the guy, but his interpretation of “ambient”…I might give it a go.

Coolness. Too bad I’m broke.

I really enjoy most of his output but I can wholly appreciate those who just don’t get it.

If memory serves I think I have around 40 Merzbow albums but that doesn’t even come anywhere near what this guy has put out so far. He must have at least 300 albums on the market.

I will also most likely end up getting this. Sounds promising.

Actually, I met someone about a month ago who has around 90 Merzbow albums.

I really enjoy most of his output but I can wholly appreciate those who just don’t get it.

If memory serves I think I have around 40 Merzbow albums but that doesn’t even come anywhere near what this guy has put out so far. He must have at least 300 albums on the market.

I will also most likely end up getting this. Sounds promising.

Actually, I met someone about a month ago who has around 90 Merzbow albums.

FINALLY A MERZBOW FAN WHO RECOGNISES THIS.

I’m in between.

I like dribs and drabs. But I honestly think the output exceeds the quality control. It’s akin to the pop producers who just put the ice cream cone under the ice cream machine and poop out songs ‘like that!’ and just end up with a bunch of stuff that sounds virtually identically.

But at the same time, it’s wrong to say if you’ve heard one Merzbow album, you’ve heard them all; it’s just that you’ve likely heard 20 of them!

From a marketing perspective… if it costs him fuck all to release, then it’s a pretty shrewd way of putting food on the table. Good on him.

The only thing I really disapprove of is his gigs are just laptop oriented. I really hate laptop artists. I like a bit of performance, a bit of insanity, a bit of homemade electronics which make you look at them and go ‘how the fuck does he do that’? and try go home and replicate it. Because, the laptop doesn’t yield that. It’s very insular. And I think it impedes the next generation of noise artists who could be potentially inspired by the performance process.

Even if you only liked Merzbow in dribs and drabs - there’d still be at least 30 Merzbow albums you’d enjoy.

[reply]
I really enjoy most of his output but I can wholly appreciate those who just don’t get it.

If memory serves I think I have around 40 Merzbow albums but that doesn’t even come anywhere near what this guy has put out so far. He must have at least 300 albums on the market.

I will also most likely end up getting this. Sounds promising.

Actually, I met someone about a month ago who has around 90 Merzbow albums.

FINALLY A MERZBOW FAN WHO RECOGNISES THIS.

I’m in between.

I like dribs and drabs. But I honestly think the output exceeds the quality control. It’s akin to the pop producers who just put the ice cream cone under the ice cream machine and poop out songs ‘like that!’ and just end up with a bunch of stuff that sounds virtually identically.

But at the same time, it’s wrong to say if you’ve heard one Merzbow album, you’ve heard them all; it’s just that you’ve likely heard 20 of them!

From a marketing perspective… if it costs him fuck all to release, then it’s a pretty shrewd way of putting food on the table. Good on him.

The only thing I really disapprove of is his gigs are just laptop oriented. I really hate laptop artists. I like a bit of performance, a bit of insanity, a bit of homemade electronics which make you look at them and go ‘how the fuck does he do that’? and try go home and replicate it. Because, the laptop doesn’t yield that. It’s very insular. And I think it impedes the next generation of noise artists who could be potentially inspired by the performance process.[/reply]

I totally agree with your views on his music.

As for his performance though, going to have to disagree.

Believe me, I am all about performance, but the thing with Merzbow is he is a true artist working in exclusively in the aural medium when you see him live.

It’s not about flashy weird gadgets and I think if he incorporated them just for the sake of looking cooler it would defeat his integrity and what he’s all about.

I saw him live and he tore the place up. I didn’t find anything lacking in his performance.

John Wiese is a different story. Now THAT guy is a fucking BORING performer.

Again it should be just about the music but that dude doesn’t even look interested in what he’s doing!

At least Merzbow has this …aura when you see him live it just kind of works even if he’s just standing there…

Damn all this talk makes me want to go see some Noise shows!!!

I’ve never seen John Wiese solo, but I saw him with his band Sissy Spacek two years ago. That was really cool.

I like dribs and drabs. But I honestly think the output exceeds the quality control. It’s akin to the pop producers who just put the ice cream cone under the ice cream machine and poop out songs ‘like that!’ and just end up with a bunch of stuff that sounds virtually identically.

The 13 Japanese Birds series is fairly lame and Merzbeat is truly dire.

Still, there are SO many Merzbow albums that continue to astound me 20 years after I heard my first Merzbow album.

Not bad for a guy whose music is constantly written off as “just noise”.

My favourite Merzbow album is the one about bondage, porn and animal rights.

Y’know the one?

Everybody AT LEAST must own this - if you are going to own ANY Merzbow at all:

[image]http://t1.gstatic.com/images?q=tbn:ANd9GcT8Nz8lfvGdgnVBM3-orbJ-sG44qX8DWWKIbYWloCkbD7fX_gM&t=1&usg=__QsuTUunD-Wan62KGmlzxEZ6Jk-A=[/image]

And everybody should own at least one Merzbow!

Everybody AT LEAST must own this - if you are going to own ANY Merzbow at all:

And everybody should own at least one Merzbow!

Word up.

This album, she’s ridiculous.

I find Merzbow interesting, but like any noise act I can only take him in small doses. It’s really fun to make noise, but not that many people can pull of a performance of noise and make it interesting to others, and Merzbow is seemingly the top dog when it comes to this.

This may sound like a joke, but are there any “best of” Merzbow albums, or compilations that feature his best, or maybe just his most accessible material? Or maybe just an album that comes closest to being a pop album?

This may sound like a joke, but are there any “best of” Merzbow albums, or compilations that feature his best, or maybe just his most accessible material? Or maybe just an album that comes closest to being a pop album?

Now you’re just being ridiculous.

for ‘accessable’ umm… Aqua Necromancer on alien8 maybe? that’s actually pretty ‘friendly’.

[reply]
This may sound like a joke, but are there any “best of” Merzbow albums, or compilations that feature his best, or maybe just his most accessible material? Or maybe just an album that comes closest to being a pop album?

Now you’re just being ridiculous.[/reply]

Ha ha, yeah I guess so. I was just thinking perhaps he might have done something in the noise/pop vein kinda like certain throbbing gristle material. The guys put out like a zillion albums, where do you find the time to listen to em all?

Ordered!!

The most accessible I’ve heard is ‘Merzbuta’ which is really a good one. One of the songs is like 3 minutes of cool digital noise stuff over an actual thumping techno beat. That’s probly the most accessible thing I’ve heard by him, and I liked it.

As far as actual quality, ‘Pulse Demon’ is really good once you let it sink in.

Other harsh noise that I think is really good but is maybe more accessible is Pedestrian Deposit. Get the ‘Fatale’ album. It’s fantastic because these beautiful little loops of distorted melody will emerge from the noise and the songs have intros etc. Basically different things to break it up from just being harsh noise throughout and I think it is truly a brilliant, fantastic album.

Even ‘approachable’ Merzbow will scare away 95% of all listeners not accustomed to that sort of thing.

Good call on the Pedestrian Deposit album too. I was playing that in the car a few weeks ago.

I love noise. Gimme harsh feedback and aural insanity over melody any day. I have so many Merzbow albums I’ve more or less stopped bothering to keep tabs on them. Must have at least 40 or so.

Batztoutai With Material Gadgets is essential. Even my non noise friends can listen to it without demanding I put something else on!!

I too, have that Pedestrian Deposit album. Rules!

I’m glad there are a number of people here who dig noise.