Well, it had to be done at some point, and since I’m being asked to call out another forum member: I have been trying to be a good sport for years about the slights I’ve suffered from forum member Chris Connelly, but I can’t bear it any longer.
Some time ago, I chose Chris as the subject for one of my velvet paintings based on icons of underground / alternative music. I was at the peak of my powers, having done brisk sales of Blixa Bargeld paintings sold through my Etsy shop. I knew, as I first put brush to velvet, that this was going to become my calling card or meisterwerk, if you will. I tastefully rendered Chris in performance during the '89-'90 Ministry tour, with an equally tasteful forest backdrop showing a wolf locked in mortal combat with a bear, beneath the light of the full moon (this is known as “allegory” in art circles - I will leave the interpretation open to the viewer.)
I was so pleased with myself that, rather than putting this up for sale like my other successful endeavors, I felt it necessary to deliver the painting to Chris personally. I decided I would also throw in a little bonus - a pair of embroidered pillows featuring a similar design - that my girlfriend at the time had designed to my specifications. Well, partially designed…she eventually decided that my behavior while supervising this project was “creepy,” “weird”, etc., and walked out on me…women. This left me to put the finishing touches on myself, a very solemn and dignified slogan STAINLESS STEEL POUNDERS 4-EVER along the top of each pillow.
All that remained was for me to make the arrangements to get to Chicago. I told my erstwhile employers at Portland Community College, where I taught an Ethics of Scrap-booking in Postmodernity class part-time, that I had some outside business to attend to – they weren’t too keen on the idea, remind me that ‘finals week’ was coming up and that I needed to critique the students’ final projects. I politely told them to fuck off, and then booked the next Greyhound bus to Chicago. Though I couldn’t sleep at all throughout the whole journey, for fear that some desperate junkie might snatch my artwork out of my hands; I knew that this would be a fruitful trip. The painting and pillows would be reproduced as artworks for best-selling albums, would then make their way into book anthologies of the best such artworks, and my reputation would just snowball from there.
After arriving in town, I was burning with anticipation while riding the Blue Line “L” to the record store where I knew Mr. Connelly to hold court. I arrived and, feeling words to be totally unnecessary, simply and authoritatively slammed the art objects down on top of some LPs at the counter where he was otherwise occupied. I stood back, arms folded, awaiting what was sure to be a reaction such as “Fuck! That’s brilliant!!!” followed by a childlike urge to find a proper place to hang the painting and place the pillows.
Instead, I got a look that can best be described as “perplexed” as the singer then bit down on his lip to stifle a laugh, asking if he could “help me” with something else, since he was “very busy” at the moment. It seemed he honestly didn’t know that he was being confronted with artistic greatness of the highest standard. I told him as such, in tones that I think rose to a scream before a posse of store patrons made a kind of citizen’s arrest and threw me out onto the street. It was raining outside, and my artworks landed square in a puddle where a city bus promptly ran over and destroyed them. My spirits crushed, and surrounded by nothing but leering and jeering Wicker Park hipsters, I beat a retreat to the Day’s Inn hotel on Diversey, where I nursed my psychic wounds (and spent the last of my money on lodging, forcing me to hitchhike back to Portland.)
So – chrisconnelly, I think that I am well within my rights to challenge you to a duel to avenge my honor.