I can’t imagine having to actually WATCH all of this, but I gotta admit the “plot summary” from Wiki is so ridiculously over the top and obscene that it’s really comical in its disgustingness. Then I remember that this is actually describing an ACTUAL movie that someone actually made and some people actually watch . . . and not just some cheeseball GWAR video or a ridiculous Japanese porno cartoon.
Seriously . . . . does this not read like someone telling the “Aristocrats” joke?
[i]"Miloš is a semi-retired porn star, who lives with his wife, Marija, and six-year-old son, Petar. His brother, Marko, is a corrupt police officer, who is attracted to Marija. Marija is curious about her husband’s past and is concerned about the family’s income. Lejla, a former co-star, offers Miloš a starring role in an art film directed by Vukmir, an independent pornographer, who wishes to cast Miloš for his powerful erection. Having already caught Petar watching one of his films and unaware of the details of Vukmir’s film, Miloš is hesitant to participate and continue his career, but accepts to secure his family’s financial future. While meeting Vukmir, Miloš passes a bald man and his entourage, regarding them warily.
Shooting begins at an orphanage, where Vukmir feeds Miloš instructions through an earpiece given by Vukmir’s driver, Raša, while a film crew follows him. Miloš sees young girl Jeca physically abused and scolded by her mother, who has disgraced her deceased war hero husband’s memory by becoming a whore. In a dark room, screens show Jeca seductively eating an ice pop, while Miloš is fellated by a nurse. Then, Miloš is instructed to receive it from the mother, while Jeca watches. Miloš refuses, but is forced to continue. Marko later informs him that Vukmir is a former psychologist and has worked in children’s TV and state security. Vukmir meets a hesitant Miloš afterward to explain his artistic style, showing a film of a woman giving birth to a newborn, which is immediately raped by Raša, in what the director terms “newborn porn”. The horrified Miloš storms out and drives away. At a road junction, he is approached and seduced by Vukmir’s female doctor.
A bloodied Miloš wakes up in his bed some time later with no memory of what has happened. He returns to the now abandoned set and finds a number of tapes. Viewing them, Miloš discovers that he was drugged to induce an aggressive, sexually aroused, and suggestible state. At Vukmir’s manipulative direction, Miloš beats and rapes Jeca’s mother before decapitating her to induce rigor mortis and, later, a catatonic Miloš is sodomized by Vukmir’s security. He then watches footage of Lejla voicing concern for Miloš, only to be restrained as her teeth are removed. A masked man then enters the room and suffocates her during fellatio. The footage continues as Miloš is led to Jeca’s home, where an elderly woman praises him for killing her mother and offers Jeca as a “virgin commune”. Miloš refuses and escapes through a window to an alleyway, where he watches a girl pass by as she is being pursued by a pair of thugs. He begins masturbating and is assaulted by the thugs before they are killed by Raša, who then takes Miloš back to a warehouse with Vukmir.
At the warehouse, Vukmir’s doctor administers more drugs after which Miloš overpowers her, sticking the syringe into her throat. He is then taken into a room to have intercourse with two hidden comatose bodies under a sheet. As Miloš is guided onto one body, the masked man from Lejla’s movie enters and begins raping the other. Vukmir then reveals the masked man to be Marko, his victim to be Marija and finally, that Miloš is raping Petar. An enraged Miloš lunges at Vukmir and smashes his head against the floor, initiating a brawl during which Marija bludgeons Marko to death with a sculpture. Miloš wrestles a gun from a guard and shoots all, but the one-eyed Raša, who he kills by sticking his erect penis into his empty eye socket. A dying Vukmir praises Miloš’ actions as truly worthy of film.
Miloš, having recalled his actions, including locking his wife and son in their basement before passing out earlier, returns home to find them. He and his wife come to a mutual understanding that he, his wife, and his child, should die together, so the three gather in bed and embrace before Miloš fires a fatal shot through himself, Petar, and Marija. Sometime later a new film crew, including the bald man from earlier, enters the bedroom. One of the security guards begins to unzip his pants and the director (the unknown bald man) advises him to “start with the little one”.
[/i]
What do we call it?
We’ll call it . . . .
THE ARISTOCRATS!!!