SPK and Foetus just barely count as Australian to me, since they both relocated pretty much immediately after they formed.
I totally disagree.
They had to relocate for their own good.
Back in the day, the scene was pretty close-knit and spawned some great stuff, but a lot of these artists knew that if they wanted to make an international impact, or one that really paid dividends, then they had to go overseas to spread the word, be a part of the scene and work with international artists.
Good on them for doing that and flying the flag. Sure, a lot of them never came back, but why should they? Just being Australian and showing people what they could do paved the way for anyone that followed them, and that’s enough as far as I’m concerned.
To Akbar:
disagree with you on two fronts.
Mark of Cain had one great album; Ill At Ease; everything after that was a bit ‘meh’. Though I liked some of the remixes. Still, I mentioned those bands in terms of impact… I dunno if Mark of Cain had as much as an international influence as say…
the HARD ONS. Now there’s a great band. I can’t believe I forgot to mention them. Then again, Rollins chose to sing with them as he chose to produce Mark of Cain, so perhaps it’s just a matter of taste with regards to our thoughts on M.o.C.
Will have to agree with you on Bon-era AC/DC. Brian just does not compare.
But have to completely disagree with you on INXS. People seem to think just coz they got famous and had a couple of hits overseas, they made an impact, were influential, etc etc.
Nah. Just a bunch of trendy cunts that rode the wave at the right time. And this whole Rockstar INXS JD Fortune bullshit has really descended into self-parody.
They would’ve been better off getting the cleaning lady from the hotel that discovered Michael Hutchence’s body to ride his still semi erect penis and get some of the seminal discharge into her and carry his seed for a while, then get back to it in 15 years and have half of the real thing fronting the band. None of this karaoke competition bullshit