[blush][:|][sly][pirate]
There is very little intellectual fervour being expressed by most of you alleged Jourgensen fans. How the heck do you terds measure growth?
Let me guess…you want Al to clean up his voice and start swooning again like he used to (I wouldn’t mind that at all, in fact-it might actually be quite a refreshing change and one hell of a shocker) but you have to realize that this man has been pickled and fermented and stoked and seasoned to the point of no return.
Through Al’s psychosis of convincing himself that he was abused by Top 40 producers, there is no way in hell he would do anything remotely tuneful or warmly melodic. Combine that with the fact that he has died, went to hell and came back to life (yep, I’m talking about the booze, cigarettes, smack, white lines and mowy wowy 24/7 for longer than he’d want to admit) and now walks the earth as a member of the living dead, Jourgensen sounds more like a cyber-zombie articulating poetic politics when he sings. It’s chilling and haunting whilst rather alluringly seductive because he’s a passionate guy and regardless how gutteral and grindy he tries to sound, you still hear the warmth and humanity of it all…it’s fucking beautiful, man!
This fact melded with the excellent versatility of songwriting (within the postpunk metal vernacular, of course) and dexterous musicianship by AJ and his sonicular associates is most definitely a premium blend of high art growth and glory, my ineptuous lil’ droogies.
Let me guess, growth to you clueless fucks is NIN’s Year Zero 'cause Reznor decided to wail the shit out of a Moog synthesizer while ripping off Jourgensen’s sampling ideas from Twitch and LORAH and even Psalm 69 in some places…relax, I’m referring to the sampling ideas, not the songwriting aesthetic.
Year Zero is fucking beautiful and I love the mutha fucka known as Trent Reznor but that kind of growth is on the opposite end of the spectrum…non metal, you see?
Jourgensen is a huge fan of hardcore metal and he has evolved in this genre and yes some industrial avant-garde authenticity has been sacrificed only to be replaced with craftmanship in shredding guitar technique and ‘ripping you a new asshole’ RPM’s on the percussion end (we can’t leave out the awesome dark stringy synths that wrap up lots of his songs in a like shrapnel giftwrap paper). However, make no mistake, the man we grew up to love as Al Jourgensen has most definitely artistically grown or should I say, he has mutated into this unique creature of goth speed-tech proportions.
You fucks probably jerk off to Rob Zombie…an artist who has emulated his singing style around AL Jourgensen’s grindy vocals from the get go. He too has this passionate humanism feel to his voice but it’s definitely sugar coated for Geffen Records mainstream standards…gotta keep them platinum album sales consistent, ya know…[laugh][laugh][:(]
Shame on you narrow minded dimwitted clones who piss and moan like lil’ brats who desperately beg for more candy…ya sad lil’ flouncing nellies.[:/]
Al’s serving prime rib and garlic mashed potatoes with pints of Guinness in an Electronic Cafe co-owned by Prince & members of Kraftwerk so go fetch for your pop-candy elsewhere like on MTV you backstabbing fuckholes[crazy][mad][:P][:(]
By the way, Halloween is a holiday that is very Ministry/Revco/Lard/Pailhead/PTP/Acid Horse/1000 Homo DJs friendly.[laugh][laugh][laugh][laugh][laugh][cool][;)]