Is the Boot Discography all pressed or are some CDR's?

I’ve got about 12 boots to go before I’ve collected all BAZILLION of them!
I’m missing:

Colour Trip (I’ve Seen This for sale)
Kill For Kicks(I’ve Seen This for sale)

Over flow (Never heard of it until the Boot Page)
Remixes and B-Sides( I’ve Seen This for sale)

Flashback (W/Ogre) (Never heard of it until the Boot Page)
Detroit 82 (Never heard of it until the Boot Page)

Boston 1990 (Never heard of it until the Boot Page)
**In Case You REALLY Didn’t Feel Like Showing Up (Never
heard of it until the Boot Page)

Cold Metal (Never heard of it until the Boot Page)
Lollapalooza II (Pretty sure I’ve Seen This for sale)

The Last FIx (I’ve Seen This for sale)
An Evening With Ministry (I’ve Seen This for sale)

Live At Waldrock (Never heard of it until the Boot Page)
Burning Brains (I’ve Seen This for sale)

** I’m really interested in finding this one. This one I think is my new project Disc
Late,
grmpysmrf

Remixes and B-Sides( I’ve Seen This for sale)

this one is pointless as far as i know, because it’s just all tracks from german import ministry singles box (3cd) on one cd.

I picked Remixes and B-Sides up a long time ago. It was a nice collection of stuff that at the time was hard to find. Canadian press. Cool pick of Al on the front wearing a Detroit beanie.

Remixes and B-Sides( I’ve Seen This for sale)

this one is pointless as far as i know, because it’s just all tracks from german import ministry singles box (3cd) on one cd.

Yeah, I know, but it’s more of the point of posessing them all, not necessarily owning the tracks. If That were the case I would have no problem with just Mp3’s.
Late,
grmpysmrf

Hey Grmpy
do you have the “box” already?

Do you have the “warzone” boot on vinyl? or cd? I can’t remember which show it is, I see it a lot on vinyl and have often pondered it’s purchase only because vinyl boots are odd… such effort for a boot… it’s probably ohama like every other boot… lol.

I suppose silver boots are a lot of effort too… with art-work etc… I wonder who makes them? fans or … well I dunno?

Hey Grmpy
do you have the “box” already?

Do you have the “warzone” boot on vinyl? or cd? I can’t remember which show it is, I see it a lot on vinyl and have often pondered it’s purchase only because vinyl boots are odd… such effort for a boot… it’s probably ohama like every other boot… lol.

Where do you see the Warzone vinyl all the time? I’ve only seen it once and I bought it when I saw it. It was some dude from the netherlands.

Yes I have the Warzone Vinyl and the box. You’re right the Warzone is selected songs from the omaha show.

[quote]I wonder who makes them? fans or … well I dunno?[/reply]
Yeah I was wondering that myself. That’s why I was asking about all of the Boots on the discography page.
Late,
grmpysmrf

[reply]Hey Grmpy
I suppose silver boots are a lot of effort too… with art-work etc… I wonder who makes them? fans or … well I dunno?

I really wish people wouldn’t buy the so called “official bootlegs”. There is nothing official about them. Your only supporting thieves.

I love collecting boots as much as the next person and have a nice collection, but I refuse to pay for them. You should too. [/quote]

I would never pay for a CDR boot but an actual manufactured boot… I don’t mind forkin out some cash for that. somebody put in some time creating the cover…although some of them are pretty cheap looking. And based on the “official” boots I don’t think a fan would take the time to create a barcode and a company logo like KTS and what not.
Honestly, I think they are put out by the company that owns the rights to the music. Like, how much EXTRA cash would warner bothers make if they put out a live show…? there is no overhead, no extra mixing involved, No sound engineers…nothing. just a live feed. So now all of this money is made from touring that the Warner Bros can’t get their hands on BUT you grab a live show press it to disc and now the Record company is making money off of that same show. Charge far more for the CD than the ticket to the show cost and far more units are sold. rolling in cash now whereas previously they were not making any money. Slap “live show” and a date on the CD and some schmuck like myself is forking out 20 bucks for it!

Who makes them? Often it’s people like you and me. Someone who goes to a show, rolls tape and posts it to dime or the trading circuit. Some thief snags a copy, makes some artwork and presses a few copies and sells them. Often the quality blows.

I doubt it. How many people like you and me have access to a printing press? I don’t know any. How many people like you and me have access to professional recordable compact discs (I.E. silver bottomed CD’s)?? I don’t know any.

An acquaintance of mine has been kind enough to tape and share quite a few shows, not Ministry, with a really nice rig and post them to Dime or db.etree or some other trading site. A thief “stole” at least two of them from the trading community, made some artwork and pressed a few copies and is now selling them.

Pressed them? do you mean, made covers on his laser jet printer? and then put a circle sticker over the actual MAXWELL CDR? If That is the case I’m totally on your side that sucks to sell that. but the legitimate presses are produced in such a quantity that no one individual can run that from there house.

The individual who taped the show is ticked and won’t trade any of his shows any longer. The trading community is significantly worse off because of thieves who profit off of someone else’s work.

Dude should be more selctive with who he trades with.

Worse, is that it takes money out of the pocket of the performer

I don’t buy this…the performer has made the money they are going to make from that show. ticket sales and merch booth, there is no other money to be had for the performer. Even if the performer was to sell a copy of the show, generally people would buy that show from the performer over a pirate. and the people who would buy from the pirate would probably own both copies.

and they get strict about people bringing in equipment to tape shows. The whole trading community suffers for it, but the thief profits.

this is gerenally the Venue not the performer. I worked for the santa barbara Bowl and the performers I met could give a shit about recording, but the bowl were the ones against it. They don’t allow cameras either because the venues have little deals with specific mags and newspapers that states no, one with out a press pass is allowed with a camera. It cuts into the Venues profits not the band’s.

Don’t buy bootlegs, you only harm yourself and everyone else in the long run. With a bit of work, you’ll find a trading partner or two, and collect the right way. For free. And you’ll “meet” some really good people in the process.

Just not into CDR’s, Dude sorry. Although, I would trade CDRs if that was the only way the show came and then make my own covers and what not But As I said earlier I would never pay for something that exists soley on CDR. I can make that shit myself!

[quote]If you have a Ministry/Revco show I don’t and care to do some show trading, let me know. You can find my list at http://db.etree.org/prologue_99[/reply]

I’ll check out your list a bit later. I’d only be interested, as I said earlier, in the stuff that only exists on CDR. as far as my stuff, since you don’t care about CDR stuff you can have copies of whatever I have that you don’t
Late,
grmpysmrf

I see your points.
But I have a hard time thinking that a single individual went to kinkos and ordered 1000 inlays and booklets and then spent another 800 bucks on pressed CDs.
Just seems more plausible that an actual company did it. then the sound quality Issue. Some of the them are complete crap and sound surely like an audience recording. but others are straight from the sound board. no audience member has access to that shit!
Next, how do we know the artists themselves aren’t putting these boots out to help suppliment their income. So Bill Oreilly logic would tell us that by NOT buying them we are taking money out of the pockets of the artists. as artists I’m sure they have easier access to all that printing stuff then somebody hoping to score at kinkos…
However, all that said, I certainly think it is plausible, and most certainly has happened that some of companies rip off the shows from traders and that is not cool. BUT on the other side of that coin they are making these shows available to people who a) otherwsie didn’t know they existed or b) knew they existed but had know idea how to go about getting them.
I am going to check out your Kinkos idea, though. I have some shows that are only available on MP3/CDR and I would love to have them professionaly pressed!
As far as the trading community dying off I haven’t seen any New “professional” bootlegs since around '94 when the US cracked down on the port in florida that was bringing them into the country. So I’m pretty sure the trading commmunity is safe for the time being. Especially since the only “professional” boots I see being sold all seem to be somebodies old used copy they swpied from their older sibling before that older sibling went off to college… Not counting the sphinctour 96 bootleg but I had to get that from netherlands…
One could make the argument that stealing for profit and stealing for entertainment are the same things. but I’m not trying to be combative.
Late,
grmpysmrf

but others are straight from the sound board. no audience member has access to that shit!

They do if they share drugs with the sound guy and give them a recorder [:P]

Hypothetically of course. I have heard soundboard recordings get out that way… obviously… from the source itself… the guy mixing the set… as favors to friends or whatever… someone who shouts them enough drinks or has big enough breasts probably

I haven’t seen any New “professional” bootlegs since around '94 when the US cracked down on the port in florida that was bringing them into the country.

One could make the argument that stealing for profit and stealing for entertainment are the same things.

Someone is still making them. There are 2 or 3 stores near me that have tons of professionally pressed bootleg cds of newer bands for $20 or so. I’m always shocked when i go in and they still have them. I know back in the mid 90s the independent cd stores in my area then made an agreement with each other not to sell them. apparently people where i am at now don’t really care.

our government would agree with the “stealing is stealing” argument as my friend was put into federal prison for 33 months for hosting apps/movies/music on a university’s server. “conspiracy to violate the criminal copyright laws” they called it. He made no money off of it but simply hosting it was enough to screw him. i guess he should have done what he did in italy instead and he would have been alright.

Over flow (Never heard of it until the Boot Page)

This one’s definitely real.

Flashback (W/Ogre) (Never heard of it until the Boot Page)

I’ve got an original copy of this. It was pretty common back in the mid to late 90s.

Detroit 82 (Never heard of it until the Boot Page)

I don’t think this one was ever factory pressed. I do know it was never on cd. It was circulating on a 90 minute cassette back in the early 90s along with the radio broadcast version of 4/10/86 Toronto. I think it may have just been traded that way and never actually sold by a bootleg “company”.

Boston 1990 (Never heard of it until the Boot Page)

You know, I’ve never seen this one either, and have my doubts about its existance. I do have a version of the show, but I don’t think it’s the version supposedly on this bootleg, as it’s split into 2 discs. The misnaming of the last track as Where You At Now instead of Land Of Rape And Honey could either be the result of one of those badly-labeled bootlegs or some fan with a copy who mistyped it.

**In Case You REALLY Didn’t Feel Like Showing Up (Never
heard of it until the Boot Page)

I don’t think this one’s real, just a rip of the Videophile VHS.

Cold Metal (Never heard of it until the Boot Page)

Real, but sounds like crap.

Lollapalooza II (Pretty sure I’ve Seen This for sale)

Pretty sure this is real. Incidently, I’m pretty sure Scarecrow wasn’t actually from this show. Yet another misdated live track…

Live At Waldrock (Never heard of it until the Boot Page)

This recording definitely exists, but I’m not sure it was ever factory-pressed. Certainly a possibility.

Flashback (W/Ogre) (Never heard of it until the Boot Page)

I’ve got an original copy of this. It was pretty common back in the mid to late 90s.

This means it’s pressed?

**In Case You REALLY Didn’t Feel Like Showing Up (Never heard of it until the Boot Page)

I don’t think this one’s real, just a rip of the Videophile VHS. )

What’s a Videophile VHS?

Lollapalooza II (Pretty sure I’ve Seen This for sale)

Pretty sure this is real. Incidently, I’m pretty sure Scarecrow wasn’t actually from this show. Yet another misdated live track…

Your talking Scarecrow on the Lay Lady Lay single, Right?

Live At Waldrock (Never heard of it until the Boot Page)

This recording definitely exists, but I’m not sure it was ever factory-pressed. Certainly a possibility.

You mean just on a CDR?

Late,
grmpysmrf

Hey, Bisquit - on the So What bootleg (Teen Spirit, Germany, 1992) Aren’t TV Song and Smothered Hope just lifted straight off the singles? It sounds like it to me.

Hey, Bisquit - on the So What bootleg (Teen Spirit, Germany, 1992) Aren’t TV Song and Smothered Hope just lifted straight off the singles? It sounds like it to me.

Yeah, I think everything on that one’s lifted from In Case, the singles and maybe a couple off the Omaha show. What a terrible boot.

I’m pretty sure Flashback w/Ogre was factory pressed. The insert and case does feature some nice photos of “skinhead” Alain on keys and also on bass with his faux-military getup and cigarette hanging from his mouth. Ogre is also pictured too.

  1. I haven’t purchased an official boot in about 10 years - essentially since I could get online and connect with other traders.
  2. Pre-internet, it was pretty hard to find good recordings and/or traders without buying a few “official” boots to seed one’s collection.
  3. I don’t feel sorry for mainstream artists that fail to release live CDs or MP3s of their tours and then wonder why people are trading/selling the shows behind their back. If there is a demand, the artists should make this stuff more readily available. Many are now thanks to outfits like Disc Live, The Music, and Live Here Now. Granted it’s much cheaper/easier to do it.
  4. Trading is definitely the way to go, but if you’re looking for a specific recording/show and no one’s willing to trade, the next option is to pay for it.

The location is also incorrectly listed on the Prongs tour page as well. It also shows Troy, MI when it should be East Troy, WI. Date is correct though.

fixed