[reply]There is some good Prurient and some bad Prurient.
I will let you discover which is which - rather than attempt to play God.
Fair enough, but perhaps you can give me a compass.
Arrowhead could be described as mostly a squeal of microphone feedback that stays stagnant for 15 minutes with a handful of drum beats that almost sound accidental and Fernow occasionally mumbling something in the background.
Is Cocaine Death really repetitive, or does he vary the attack on it? When I listen to folks like Merzbow or Government Alpha or Alan Hearse, I like listening for the subtle changes and the transitions between patterns.
Or a simpler question: Both of the Prurient albums I have were recorded around the same time (2002-2003, I think?); do you know when Cocaine Death was recorded?[/reply]
I’ll give you my own limited insight into Prurient. His records vary a lot between more rhythmic shit inspired by early Industrial that has repetition and song structure (‘Black Vase’, ‘Pleasureground’) to pure Noise without structure (‘Shipwrecker’s Diary’) and everything in between.
If you’re looking for the former, which it seems you are, I’d suggest ‘Pleasure Ground’, ‘Black Vase’ or ‘Cocaine Death’ which (though I don’t yet own it) is his newest release in the rhythmic, song-oriented category from what I’ve gathered.
I’m just going to talk about the records I own here because I’m hardly an expert, but ‘Black Vase’ is my favorite so far. It’s a good collection with a lot of variation. Some of the songs have ancient, altered sounding drums and a primitive tribal feel with screaming. Others are more drawn out with building tension and Noise ambience. The opening track is pure painful feedback. As a whole it probably best displays the different sounds he’s cultivated from what I know of him.
‘The Warriors’ split with Wolf Eyes is more of the Noise side of Prurient. Wolf Eyes have 2 long drawn out mechanical ambient lurch kind of jams while he has about 8 tracks that are brief and structureless like the ‘Shipwrecker’s Diary’ stuff, but more primitive sounding with minimal use of vocals if at all.
‘Shipwrecker’s Diary’ is a more layered, complex sounding pure Noise album with a lot of texture and very little vocals or things that sound overtly like vocals (you never really know sometimes with Noise artists).
‘Pleasure Ground’ is driven by synths that are masterfully distorted and layered in slow tonal melodies that are haunting and sad. There are heavily reverberated screams laced over the top and occasional other sounds.
From what I gather, ‘Cocaine Death’ is a continuation in this vein. More song-oriented and melodic.