200 lucky fans of MINISTRY and the Blackhawks will win tickets to see the March 5 game--NEW Ministry-Key to the City with Josh on vocals

The resurging Chicago Blackhawks hockey team has no bigger fan than Al Jourgensen, the “Mayor of Chicago’s Underground,” the godfather of the industrial music scene, and founder and lead singer of the legendary rock band MINISTRY. As the 2007/2008 Blackhawks team makes its push for the 2008 playoffs, its fans now have another great sports anthem, courtesy of Al and his co-conspirators in MINISTRY. “Keys To The City”, a rock anthem sure to inspire Blackhawks fans worldwide, will debut on March 5, 2008. As part of the debut, 200 lucky fans of MINISTRY and the Blackhawks will win tickets to see the March 5 game.

Born in Cuba and having immigrated to the U.S. at the age of two, Jourgensen was raised in Colorado and Chicago, settling in the Windy City in the late 1970s. As a youth, Al would attend Chicago Blackhawks hockey games watching from the upper balcony at the old Chicago Stadium. After founding the industrial metal rock band in 1980, and as the band gained popularity, Al graduated to season tickets in the main bowl. Living now in El Paso, TX, Al still gets back to Chicago from time to time to watch his beloved Blackhawks and is a worldwide evangelist for the team, often sporting his Blackhawks jersey on tour.

Last fall, as the buzz began to build around the new, young Blackhawks team, Jourgensen decided he wanted to add to the momentum. In his studios rehearsing for their farewell tour, Al picked up on a guitar riff that hadn’t made his final album and started building what would become “Keys to the City”, a sports rock anthem that he presented as a gift to the Wirtz family and the Chicago Blackhawks in December of 2007. The Blackhawks have since embraced the song as a great opportunity to reach out to a new generation of Blackhawks fans; a worthy companion to the team’s official theme song, “Here Come The Hawks”.

“The Chicago Blackhawks RULE!” said Al Jourgensen. “I am honored to be a part of the history and legend of one of hockey’s Original Six. I hope ‘Keys to The City’ inspires some awesome fights on the ice.”

Though containing trademark intensity and guitar riffs, “Keys to the City” is less a traditional MINISTRY song, but more a classic sports anthem in structure. Built around a drum/bass line that recalls Garry Glitter’s “Rock n’ Roll Pt 2”, the song is a rallying cry for Blackhawk[/b] fans. Name-checking the past Hawk greats like Hull, Mikita, Esposito and Savard, the song celebrates the resurgence of the Blackhawks and the quest to bring home the Stanley Cup to Chicago. It is already popular among the young Blackhawks players upon which the team is building its future championships.

Al Jourgensen will travel to Chicago for the March 5 debut of the song. After a day of media interviews supporting the song and MINISTRY’s farewell tour, which comes to Chicago’s House of Blues in early May, Jourgensen and his wife will be the guest of the Blackhawks at the game that night and will participate in game festivities. As part of the day’s promotions, 200 fans of MINISTRY and the Blackhawks will get free tickets to the televised March 5 home game against the Anaheim Ducks. Details on how to win the tickets will be posted at ChicagoBlackhawks.com. “Keys to the City” will be available for download via iTunes, and as a link from ChicagoBlackhawks.com, starting March 5. Proceeds from the song will benefit the Blackhawks charities. To purchase tickets to the March 5 Blackhawks game, visit ChicagoBlackhawks.com.

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this is a pretty awesome song… haha… i really like it.

but im a Devils man.

Josh does a great job on vocals. Has a manson feel to it. I like it.

but im a Devils man.

Hell Yeah Brother!! Rock on!

Josh does a great job on vocals. Has a manson feel to it. I like it.

It’s not bad. certainly better than anything on coverup. Josh isn’t the only thing that sound like manson, parts of the beat sound very “beautiful people”-ish or “fascist smash” from Kill Switch…Klick.
Late,
grmpysmrf

It beats “Cover Up,” that’s for goddamn sure.
Still… not enough electronics…
And why doesn’t Al do the vox? You think HE’D wanna be the one screaming about his beloved Blackhawks…

What in the living fuck…

Al needs to stop releasing this garbage under the Ministry moniker. It just continues to get worse. Seriously, Al could’ve programmed the whole thing on a Fairlight with Paul on bass and Adrian Sherwood producing, and I’d still hate it. Do people not care what’s good anymore?

Yeah, I’m sure the Hawks’ fans will love this song.

By the way, 4:00 in the box for Revco for the extremely long thread title violation. That’s a double minor, pal!

1002

i agree that the song is shit. i don’t really care for josh (who is that anyway?) or “manson-ish” vocals, i had enough of them when spyderbaby sung on cocked and loaded.

i don’t really care for josh (who is that anyway?).

Josh Bradford. He took Connely’s spot on the last tour with REVCO. He’s from a band called Stayte. He’s a decent fellow(So is Clayton Worbeck[keyboards], also from Stayte). I spoke with him almost every show i went to. Seemed like someone you could hang out and get in touble with.
Late,
grmpysmrf

Another thing…

What’s with Al’s fixation on the “Twitch” lettering? I mean, I love it, but… you know?

that is the worst vocals ive heard in a long time.

What in the living fuck…
Do people not care what’s good anymore?

It would seem not.

‘Ministry’ (?) could do a track for a KFC ad with thrash metal guitars and Al signing ‘cluck cluck cluck’ in a distorted voice and half the people on this forum would proclaim it as ‘gnarly’ and ‘cool’.
I often wonder who half of these people are or whether or not they are actually affiliated with the band.

'We want to rock want to rock want to rock’?!?!?!!?

What the fuck?

this is a pretty awesome song… haha… i really like it.

Who are you?

Even my girlfriend doesn’t bitch as much as you whiny motherfuckers.

Jourgensen should never be let near a recording studio again. All bands inevitably peak and then decline but “Ministry’s” latest debacle takes shark jumping to a whole new level.

Al, if there is any decency and taste left in you, please, please stop making “music” now. No more. Forget the last Lard, no more RevCo, can the long awaited Buck Satan, just stop now before it get any worse than it already is.

Let’s just hope no further leftovers from TLS see the light of day.

Yeah, something along the lines of ‘The Last Sucker 2: The Complete Sessions’.

First, we thought Al had hit a new low (and indeed he had) with The Last Sucker.

Then we heard Cover Up.

Now it’s this atrocity.

Don’t be surprised if Al soon appears in a comedy alongside Martin Lawrence and Queen Latifah as two bumbling ex cons who try to swindle a rich widow out of her millions by posing as singing evangelists.

Seriously, it could realistically get that bad.

I have to say, your posts are making me piss my pants laughing! Have not heard the song yet…

Save yourself the agony, Mr. Connelly. [:)]

Even my girlfriend doesn’t bitch as much as you whiny motherfuckers.

No kidding brother!! half of the people on the board are accused of “liking what ever Al puts his name on” which i guess is needed since at least 1/3 on here hate EVERYTHING he will put his name on.

Poster #1 “the new ministry song SUCKS!!”
Poster #2 “It’s not even written yet”
Poster #1" IT SUCKS!! LOSER!!"

Sure it’s not the greatest song but I’m pretty sure it’ll sound bad ass played in a stadium of cheering fans. I hate that “ladies and Gentlemen-Do You want it? Do you need it?” song. But i have to tip my hat to it, when it’s played in a gigantic hockey rink enciting the crowd. Perhaps that’s what Al was going for with his song.
Late,
grmpysmrf

Wow. Just listened to the song. It’s… um… pretty special, if you know what I mean. Combines the musical complexity of We Will Rock You with the lyrical depth and chuggy guitars of Andrew WK.

This whole song unfortunately reminds me of that putrid “WHAD ABOUT US?” from the Speilberg masterpiece A.I…

You’re Crazy. “What About Us” is genius compared to this song. And pretty good on it’s own feet as well.
Late,
grmpysmrf