The Land of Rape and Honey. Epochal. One of those albums that deserves every bit of adulation directed its way and should be in the same discussion file marked "what more can be said?.
My main memory is it being the second Ministry I heard (first being Mind) in the late 90s, spending many hours pouring over it on my discman on long neighborhood walks. This was in an era of 30 second Amazon samples & fruitfully scouring .MP3s on AudioGalaxy on limited bandwidth and not always having the $10 to throw down on a used CD. I played this thing like I was determined to figure out its secrets, its allure, its companion stature to my beloved Mind CD. There wasn’t anything as immediately gratifying as the assault of the highlights from that album. I expected more guitars. The cold barren sounds of this album slightly turned me off. At 14 it was my first real exposure to the minimalist darkness of this era and I have this album to thank for steering me towards an appreciation of the less-is-better aesthetic of the best industrial. Something I didn’t always accept when discovering new music and listening first to the busy production quality (KMFDM, Rammstein and Manson were favorites during this time).
One of its endearing features is the triptych-like sequencing. The most aggressive and vocal based as first act is just dynamite. Al’s restless delivery on Stigmata is iconic to my ears. The Missing/Deity is for my $ the best songs of that style Ministry ever did, with lyrics that empower every single beat. The second instrumental part – from Golden Dawn through the end of Hizbollah in my opinion is why Honey has left the indelible mark it has on fans. Take it or leave them, these songs are unique in the Ministry canon and give this album tons of ominous character. Plenty more iconic moments to be found with the start of the title song & the histrionics throughout YKWYA and Flashback. Sampling is A+ too, never becoming too much the song’s focal point and in many cases improving the songs caliber of intensity (the aforementioned Flashback).
Indulgent, I know. Still prideful additions to my growing Ministry vinyl collection.