grmpy: Are you yankin’ my chain, or is that legit? Either way, a stange sensation of <3
her face is super pretty, right???
I’m chain yankin. I think the original Dark side model lives at void’s house now
Late,
grmpysmrf
grmpy: Are you yankin’ my chain, or is that legit? Either way, a stange sensation of <3
her face is super pretty, right???
I’m chain yankin. I think the original Dark side model lives at void’s house now
Late,
grmpysmrf
This thread is also a testimony to the fact that, while Warner Bros as a label can indeed suck unholy ass, they actually promoted this record a lot more than people think. Promo flats, PVC wallet promos, guest spots on “The Matrix” and “Universal Soldier 2” soundtracks…shit they almost made it to Ozzfest as well, though we can’t have it all can we.
It was pretty disappointing that although Sanctuary Records was, well, a sanctuary, they didn’t deliver on promoting their artists. I’m sure they paid well, though, there’s a reason why people like Morrissey and KMFDM alike joined their brand.
The record itself is a murky, depressing thing, it was a continuation of a sound that just added yet another five years to the public’s interest of what anyone could’ve expected. I loved it then and I love it now, time has been good to it and the new records have certainly made it seem brighter in comparison to creativity.
This thread is also a testimony to the fact that, while Warner Bros as a label can indeed suck unholy ass, they actually promoted this record a lot more than people think. Promo flats, PVC wallet promos, guest spots on “The Matrix” and “Universal Soldier 2” soundtracks…shit they almost made it to Ozzfest as well, though we can’t have it all can we.
You have a point. As far as Ozzfest goes, very funny that Primus took their place.
It was pretty disappointing that although Sanctuary Records was, well, a sanctuary, they didn’t deliver on promoting their artists. I’m sure they paid well, though, there’s a reason why people like Morrissey and KMFDM alike joined their brand.
KMFDM and Ministry each only lasted 2 albums on that label. KMFDM’s last was WWIII Live. A live album from the tour I saw them on that didn’t do my experience any justice. Ministry’s last was Rantology. Can we even call that an album? Point being that both of those seem like a big fuck you to that label.
The record itself is a murky, depressing thing, it was a continuation of a sound that just added yet another five years to the public’s interest of what anyone could’ve expected. I loved it then and I love it now, time has been good to it and the new records have certainly made it seem brighter in comparison to creativity.
Agreed and well put. I don’t think Al could make another album like this, even if Paul came back.
Live boots from the tour. Might’ve posted one of these before.
Supermanic Soul
http://www.youtube.com/watch?v=FyeUr9x_LQs
Whip And Chain
http://www.youtube.com/watch?v=on4f4HRgxv4
Bad Blood
http://www.youtube.com/watch?v=d1Qu6RlfgrM
Eureka Pile
http://www.youtube.com/watch?v=htmAxvCb_pc