[reply]
[reply]
Is it me or has Terry & K-Lite not answered any Ministry questions asked?
What’s with the dubious appearance of these two fringe Ministry players? Curious, isn’t it?[/reply]
or are your heads so far up your arses that you insult people who do appear here and they look around and think “nah, fuck em”
get curious on that, you twat.
bye bye dickheads[/reply]
If you answered a fucking question, we wouldn’t need to call you out! It is sad to pretend to be someone you’re not. Many Ministry players have been here and it’s pretty easy to tell if they’re real. Your not…Bye Bye.
[reply]
[reply]
[reply]
Is it me or has Terry & K-Lite not answered any Ministry questions asked?
What’s with the dubious appearance of these two fringe Ministry players? Curious, isn’t it?[/reply]
or are your heads so far up your arses that you insult people who do appear here and they look around and think “nah, fuck em”
get curious on that, you twat.
bye bye dickheads[/reply]
If you answered a fucking question, we wouldn’t need to call you out! It is sad to pretend to be someone you’re not. Many Ministry players have been here and it’s pretty easy to tell if they’re real. Your not…Bye Bye.[/reply]
What’s worse is that you have besmirched the good names of one K-Lite and one Terry Bones. Because of this prank I have envisioned K-Lite in a public library showing Terry Bones how to get online and send the email. Truth be told, both of those gentlemen could be fine, upstanding, and internet savvy individuals.
But, until either one provides us with a tour story or the scoop on “Test,” I’ll remain assuming that these guys got kicked out of the aforementioned public library for streaming vintage porn.
[reply][reply]Well, damn! Welcome, Terry Bones. Do YOU have any pictures from that tour?
No you pillock. otherwise i woudnt be asking here would I?[/reply]
But, see you’re the pillock here. I welcomed you and asked you a fair question. By the off chance you had taken some photos they would be exclusive, never before seen type shit, yo. K-Lite, get my back here.
But, in the interest of kindness, I’ll answer your question.
Did you just go into the studio and make up some lyrics on the fly or did Al give you direction? Why didn’t you tour with the band or at least show up for one or two of the bigger shows?
I never really listened to Test other than the first few seconds before hitting the NEXT button on my player. So, I decided to actually listen to it this morning. Unfortunately, I still couldn’t bring myself to listen to the entire thing. I don’t think the lyrics and rapping are too terrible. Some of what I heard was kind of interesting. But, the instrumental part of the song is terrible. It’s the same annoying guitar riff over and over and over. So, I am going out on a limb here to say that the reason Test sucks is not because of K-Lite but because the normal Ministry band failed to deliver. I’m giving K-Lite the benefit of the doubt on this one.
I really liked Paul’s comment about how it was influenced by the new wave sound of the previous records. Even though it’s the heaviest from the 80s stuff, it still has a pop aesthetic with it’s song structures and catchy choruses.
At first listen With Sympathy and Houses of the Mole might sound like two different bands, but Al’s ear for dance tempos, repetitive hooks and a sharp edge has always been present in his sound.
I STILL need to scan that Ministry press book I won off of e-bay years ago. Someday, it will happen.
I should also scan the Revco Alternative Press issue if anyone else hasn’t/
*edit, I had a concussion a few years back and often forget things. I’m glad you posted the link to those scans. I would’ve never recalled that Rieflin <3 created all the sounds in that song. I love that guy.
*edit, I had a concussion a few years back and often forget things. I’m glad you posted the link to those scans. I would’ve never recalled that Rieflin <3 created all the sounds in that song. I love that guy.
I loved that bit, too. And Rieflin saying he and PB doing “So What?” was the only time two people played together on the whole record.